Every project begins with a unique idea. That’s why MCA Timber offers an initial creative consultation completely free and without obligation, where you can: Share your vision: We carefully listen to your creative goals, ideas, and challenges. Explore potential: We help identify hidden visual opportunities within your project. Get initial advice: Receive strategic guidance based […]
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At MCA Timber, we believe that creativity flourishes when communication is clear and collaboration is effortless. That’s why we use Frame.io as our primary platform for remote creative workflows, feedback, and content delivery. Whether we’re designing concept art, blocking animation, or reviewing a VFX sequence, Frame.io allows clients to follow the progress in real time
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At MCA, we approach every project as a unique canvas. Our HCA Workflow (Hand-crafted, CGI, AI) reflects our commitment to creative adaptability. Rather than following a fixed production pipeline, we draw from three distinct but interconnected disciplines: Hand-crafted Art: Traditional drawing, sketching, and manual concept work that ground the project with human touch and emotional
Set against the sweeping plains of 19th-century North America, The Shadow of the Herd follows the quiet strength of a young Indigenous girl as her world shifts under the weight of tradition and change. In a fragile moment between survival and transformation, a simple personal longing becomes a lasting symbol of resilience. Crafted through a
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Makuta VFX was founded in 2010 by Adel Adili, R.C. Kamalakannan, and Pete Draper, following their groundbreaking collaboration on Magadheera (2009). Inspired by the success of that project, the founding team — with strategic input from S.S. Rajamouli and support from Raja Koduri and Dasaradha Gude launched a new generation VFX studio to elevate Indian
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At MCA Timber, we step into a future where vision, imagination, and technology converge. We are a newly born studio built upon years of creative legacy and international collaboration. Our deep-rooted belief is that the future of visual storytelling lies in the union of tradition and technology. As we move forward in an age where
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